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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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 Image under artist's copyright.

2028
Winterauktionen 25.–26.11.2022
Picasso, Pablo after
1881 Málaga - 1973 Mougins.
«La bouteille de rum».
Around 1960. Collotype with pochoir on Arches wove paper (watermark). Signed lower right. Numbered 91/250 lower left and with the publisher's drystamp Guy Spitzer, Paris. Verso the publisher's stamp inscribed with the work's data and numbered «91» by hand.
H 60,3, W 49,9 cm (image),
H 80,8, W 67,8 cm (sheet). Framed.
Work from an edition of 250 signed and numbered copies after the same named oil painting (catalogue raisonné Daix/Rosselet 414) from 1911 of the Jacques and Natasha Gelman Collection in the Metropolitan Museum, New York. Published by Guy Spitzer, Paris.
Guy Spitzer perfected the reproduction technique of the pochoir and collotype printing in the 1950s and 1960s. Artists such as Georges Braque, Fernand Léger and Pablo Picasso commissioned him to reproduce a selection of their works in outstanding facsimile quality
.
Provenance: private collection Markgräflerland.

Condition report  


 

hammer price: 6000,- EUR
(starting price: 5000,- EUR)